香港长期是英国的殖民地，经济上对外开放，文化上对欧西特别宽容，西洋时尚，早在上世纪二三十年代，已经由中环一带，向外散播。
1950年代，西洋潮流进一步渗入平民生活。
新一代的潮，由电影带动。日战前洋电影在本地放映的数字每年平均超过二百部。黄湛森抵港后，数字有增无减。慢慢，读番书，看洋戏，玩舶来的呼拉圈和摇摇，在年轻人之中，变得理所当然。
新一代的潮，也由电台带动。多谢前卫主持人Aileen Woods和Uncle Ray的忘情推介，黄湛森和同辈的年青人，天天靠近电台，面向欧西，贴近流行，学懂将Frank Sinatra、Bing Crosby、Elvis Presley与Benny Goodman一起兼听，并且在摇头摆脑之间，确认欧西流行曲在创作、演奏、歌唱、录音，都不是香港或上海所能望其肩背。
电台广播欧西流行歌曲，由听觉开始，经过身躯，制造了新一代的口味和人格。
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Composer: Chen Gexin 陳歌辛
Lyricist: Wilfred Thomas
Vocalist: Frankie Laine
Rose, Rose I love you with an aching heart
What is your future, now we have to part?
Standing on the jetty as the steamer moves away
Flower of Malaya, I cannot stay
Mei Kwei, oh, Mei Kwei for my Eastern Rose
Men crowd in dozens everywhere she goes
In her rickshaw on the street or in a cabaret
"Please Mei Kwei for Rose," you can hear them say
All my life I shall remember
Oriental music and you in my arms
Perfumed flowers in your tresses
Lotus-scented breezes and swaying palms
Rose, Rose I love you with your almond eyes
Fragrant and slender 'neath tropical sky
I must cross the seas again and never see you more
Way back to my home on a distant shore
(All my life I shall remember)
(Oriental music and you in my arms)
(Perfumed flowers in your tresses)
(Lotus-scented breezes and swaying palms)
Rose, Rose I leave you, my ship is in the bay
Kiss me farewell now, there's nothin' to say
East is East and West is West, our worlds are far apart
I must leave you now but I leave my heart
Rose, Rose I love you with an aching heart
What is your future, now we have to part?
Standing on the jetty as the steamer moves away
Flower of Malaya, I cannot stay
(Rose, Rose I love you, I cannot stay)
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