香港长期是英国的殖民地,经济上对外开放,文化上对欧西特别宽容,西洋时尚,早在上世纪二三十年代,已经由中环一带,向外散播。
1950年代,西洋潮流进一步渗入平民生活。
新一代的潮,由电影带动。日战前洋电影在本地放映的数字每年平均超过二百部。黄湛森抵港后,数字有增无减。慢慢,读番书,看洋戏,玩舶来的呼拉圈和摇摇,在年轻人之中,变得理所当然。
新一代的潮,也由电台带动。多谢前卫主持人Aileen Woods和Uncle Ray的忘情推介,黄湛森和同辈的年青人,天天靠近电台,面向欧西,贴近流行,学懂将Frank Sinatra、Bing Crosby、Elvis Presley与Benny Goodman一起兼听,并且在摇头摆脑之间,确认欧西流行曲在创作、演奏、歌唱、录音,都不是香港或上海所能望其肩背。
电台广播欧西流行歌曲,由听觉开始,经过身躯,制造了新一代的口味和人格。
Rock Around the Clock (1954)
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Composers: Max Freedman,
James Myers
Lyricists: Max Freedman,
James Myers
Performers: Bill Haley
and His Comets
One, Two, Three O'clock, Four O'clock rock
Five, Six, Seven O'clock, Eight O'clock rock
Nine, Ten, Eleven O'clock, Twelve O'clock rock
We're gonna rock around the clock tonight
Put your glad rags on and join me hon'
We'll have some fun when the clock strikes one
We're gonna rock around the clock tonight
We're gonna rock, rock, rock, 'till broad daylight
We're gonna rock gonna rock around the clock tonight
When the clock strikes two, three and four
If the band slows down we'll yell for more
We're gonna rock around the clock tonight
We're gonna rock, rock, rock, 'till broad daylight
We're gonna rock gonna rock around the clock tonight
When the chimes ring five, six, and seven
We'll be right in seventh heaven
We're gonna rock around the clock tonight
We're gonna rock, rock, rock, 'till broad daylight
We're gonna rock gonna rock around the clock tonight
When it's eight, nine, ten, eleven too
I'll be goin' strong and so will you
We're gonna rock around the clock tonight
We're gonna rock, rock, rock, 'till broad daylight
We're gonna rock gonna rock around the clock tonight
When the clock strikes twelve we'll cool off then,
Start rockin' 'round the clock again.
We're gonna rock around the clock tonight,
We're gonna rock, rock, rock, 'till broad daylight,
We're gonna rock gonna rock around the clock tonight.
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